Author Simon Houpt give numerous example after example of the great masterpieces that have been
stolen throughout the world, some recovered but most not. He relays stories of
the Nazi assault on art in Europe, museums thefts, such as the Isabella Stewart Gardner Museum in Boston, where art has literally been lifted off the walls and
taken, and fictional accounts like The Thomas Crown Affair, which follows a
wealthy and bored private equity banker as he plots to steal from the
Metropolitan Museum of Art.
For money? For the thrill of it? Surely most pieces have to end up in private collections, no one would dare purchase Johannes Vermeer's The Concert, knowing the piece is red-hot. These are the type of questions Houpt asks and delves into throughout the book while providing great cultural background and information (and awesome pictures).
Chemin de Sèvres
Jean-Baptiste-Camille Corot (1796-1875)
1858-1859
Oil on canvas
Also interesting, Julian Radcliffe, Director of the Art Loss Register, offers his knowledge in the foreword of the book, discussing what agencies around the world and companies like his are currently doing to help thwart thieves and recover stolen art.
The Concert
Johannes Vermeer
c. 1664
Oil on canvas
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